{"id":251917,"date":"2025-07-04T13:03:23","date_gmt":"2025-07-04T16:03:23","guid":{"rendered":"https:\/\/gay.blog.br\/?p=251917"},"modified":"2025-07-23T20:15:14","modified_gmt":"2025-07-23T23:15:14","slug":"bisexual-boxers-story-as-a-victim-of-racism-becomes-a-play-in-sao-paulo","status":"publish","type":"post","link":"https:\/\/gay.blog.br\/en\/culture\/theater\/bisexual-boxers-story-as-a-victim-of-racism-becomes-a-play-in-sao-paulo\/","title":{"rendered":"Bisexual boxer\u2019s story as a victim of racism becomes a play in S\u00e3o Paulo"},"content":{"rendered":"<p style=\"text-align: justify;\" data-start=\"206\" data-end=\"647\">The unprecedented Brazilian production <a href=\"https:\/\/www.sescsp.org.br\/programacao\/12o-round-a-historia-de-emile-griffith\/\"><strong><em data-start=\"235\" data-end=\"278\">&#8220;12th Round: The Story of Emile Griffith&#8221;<\/em><\/strong><\/a>, showing at the <strong>Sesc Ipiranga<\/strong> theater until July 13, presents the life of the <a href=\"http:\/\/gay.blog.br\/?s=bissexual\">bisexual<\/a> boxer who faced racism and homophobia at the peak of his career in the 1960s. The play is based on the true story of <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Emile_Griffith\"><strong>Emile Griffith<\/strong><\/a>, a five-time world champion, who publicly declared his bisexuality and whose journey was marked by tensions both inside and outside the ring.<\/p>\n<figure id=\"attachment_250874\" aria-describedby=\"caption-attachment-250874\" style=\"width: 1333px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/scruff.app.link\/Gayblog_br_Press\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-250874\" src=\"https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=696%2C1044&#038;ssl=1\" alt=\" \u201c12th Round: The Story of Emile Griffith\u201d is playing at the Sesc Ipiranga theater \u2013 Courtesy photo \" width=\"696\" height=\"1044\" srcset=\"https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?w=1333&amp;ssl=1 1333w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=682%2C1024&amp;ssl=1 682w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=100%2C150&amp;ssl=1 100w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=280%2C420&amp;ssl=1 280w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=560%2C840&amp;ssl=1 560w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=696%2C1044&amp;ssl=1 696w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12-Round-por-Hernandes_-2.jpg?resize=1068%2C1602&amp;ssl=1 1068w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><figcaption id=\"caption-attachment-250874\" class=\"wp-caption-text\">\u201c12th Round: The Story of Emile Griffith\u201d is playing at the Sesc Ipiranga theater \u2013 Courtesy photo<\/figcaption><\/figure>\n<p style=\"text-align: justify;\" data-start=\"649\" data-end=\"1025\">Griffith, Black and Afro-Caribbean, also gained notoriety outside the sport following the 1962 fight against Kid Paret, who had publicly insulted him with homophobic slurs. In the televised match, Griffith knocked out Paret, who later died as a result of the blows. The incident left a lasting impression on the public and reignited the debate about violence in sports and sexual intolerance.<\/p>\n<p style=\"text-align: justify;\" data-start=\"1027\" data-end=\"1395\">Conceived by actor Fernando Vitor, the play offers a fragmented and intense narrative. The script is by S\u00e9rgio Roveri and the direction by Bruno Louren\u00e7o. The staging is divided into &#8220;rounds&#8221;, reflecting the structure of a boxing match. The format includes twelve main scenes of three minutes each, interspersed with brief transitions that simulate the breaks between fights.<\/p>\n<p style=\"text-align: justify;\" data-start=\"1397\" data-end=\"1748\"><em data-start=\"1397\" data-end=\"1582\">\u201cGriffith\u2019s journey is one of the greatest stories in the world of sports, and its obscurity is the result of a long process of erasing our history and identities<\/em>\u201d, says Fernando Vitor. <em data-start=\"1607\" data-end=\"1747\">\u201cWe are committed to honoring his legacy, highlighting the fact that Emile became, above all, an activist for the LGBTQ+ cause\u201d<\/em>.<\/p>\n<p style=\"text-align: justify;\" data-start=\"1750\" data-end=\"2206\">The play also marks the debut of Coletivo Nocaute, a group of Black artists with backgrounds in theatrical productions addressing racial and sexual dissidence themes. <em data-start=\"1917\" data-end=\"1977\">\u201cTurning the fight into language, dance, and narrative\u201d<\/em>, according to director Bruno Louren\u00e7o, was the greatest challenge of the production. <em data-start=\"2046\" data-end=\"2193\">\u201cGriffith is not just a biographical figure; he is an ancestor. A world champion practically erased from our imagination because of homophobia\u201d<\/em>, he adds.<\/p>\n<p style=\"text-align: justify;\" data-start=\"2208\" data-end=\"2506\">The production\u2019s aesthetic approach leans toward documentary theater, incorporating videos, archival footage, and a soundtrack that evokes classic cinema. The structure aims to explore the body as a contested space\u2014between the physical exertion of sport and the symbolic tensions of identity.<\/p>\n<figure id=\"attachment_250870\" aria-describedby=\"caption-attachment-250870\" style=\"width: 2000px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/scruff.app.link\/Gayblog_br_Press\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-250870\" src=\"https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"Bisexual boxer\u2019s story as a victim of racism becomes a play in S\u00e3o Paulo\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=150%2C100&amp;ssl=1 150w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=630%2C420&amp;ssl=1 630w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1260%2C840&amp;ssl=1 1260w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=696%2C464&amp;ssl=1 696w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1392%2C928&amp;ssl=1 1392w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1068%2C712&amp;ssl=1 1068w, https:\/\/i0.wp.com\/gay.blog.br\/wp-content\/uploads\/2025\/07\/12Round-IMPRESSAO-por-Hernandes-1.jpg?resize=1920%2C1280&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><figcaption id=\"caption-attachment-250870\" class=\"wp-caption-text\">\u201c12th Round: The Story of Emile Griffith\u201d is playing at the Sesc Ipiranga theater \u2013 Courtesy photo<\/figcaption><\/figure>\n<p style=\"text-align: justify;\" data-start=\"2508\" data-end=\"2833\">The original script of the play was awarded by PROAC in 2015, with public performances and discussions held in libraries and theater schools as part of the project\u2019s commitments. The show runs on Fridays and Saturdays at 8 PM, Sundays and holidays at 6 PM, with extra performances on July 9 and 10. The age rating is 16 and up.<\/p>\n<h1 style=\"text-align: justify;\" data-start=\"131\" data-end=\"142\"><strong data-start=\"131\" data-end=\"142\">SERVICE<\/strong><\/h1>\n<p style=\"text-align: justify;\" data-start=\"144\" data-end=\"187\"><em data-start=\"144\" data-end=\"187\">\u201c12th Round: The Story of Emile Griffith\u201d<\/em><\/p>\n<p style=\"text-align: justify;\" data-start=\"189\" data-end=\"912\"><strong data-start=\"189\" data-end=\"203\">Season:<\/strong> until July 13, 2025<br data-start=\"227\" data-end=\"230\" \/><strong data-start=\"230\" data-end=\"243\">Showtimes:<\/strong> Fridays and Saturdays at 8 PM | Sundays and holidays at 6 PM<br data-start=\"296\" data-end=\"299\" \/><strong data-start=\"299\" data-end=\"318\">Extra performances:<\/strong> July 9 (Wednesday) at 6 PM; July 10 (Thursday) at 8 PM<br data-start=\"376\" data-end=\"379\" \/><strong data-start=\"379\" data-end=\"389\" data-is-only-node=\"\">Location:<\/strong> Sesc Ipiranga Theater<br data-start=\"413\" data-end=\"416\" \/><strong data-start=\"416\" data-end=\"429\">Address:<\/strong> Rua Bom Pastor, 822 \u2013 Ipiranga \u2013 S\u00e3o Paulo \u2013 SP<br data-start=\"477\" data-end=\"480\" \/><strong data-start=\"480\" data-end=\"493\">Telephone:<\/strong> (+55) 11 3340-2000<br data-start=\"508\" data-end=\"511\" \/><strong data-start=\"511\" data-end=\"525\">Tickets:<\/strong> R$ 18 (Full Credential), R$ 30 (Half-Price), R$ 60 (Full Price)<br data-start=\"589\" data-end=\"592\" \/><strong data-start=\"592\" data-end=\"621\">Age rating:<\/strong> 16 years and up<br data-start=\"629\" data-end=\"632\" \/><strong data-start=\"632\" data-end=\"644\">Duration:<\/strong> 70 minutes<br data-start=\"655\" data-end=\"658\" \/><strong data-start=\"658\" data-end=\"696\">Tickets and information:<\/strong> at <a href=\"https:\/\/www.sescsp.org.br\/programacao\/12o-round-a-historia-de-emile-griffith\/\">this link<\/a><br data-start=\"841\" data-end=\"844\" \/><strong data-start=\"844\" data-end=\"858\">Instagram:<\/strong> <a href=\"https:\/\/www.instagram.com\/12roundteatro\/\">@12roundteatro<\/a><\/p>\n<p style=\"text-align: justify;\" data-start=\"914\" data-end=\"1829\"><strong data-start=\"914\" data-end=\"931\">CREDITS<\/strong><br data-start=\"931\" data-end=\"934\" \/>Project conceived by: Fernando Vitor<br data-start=\"972\" data-end=\"975\" \/>Artistic direction: Bruno Louren\u00e7o<br data-start=\"1008\" data-end=\"1011\" \/>Playwright: S\u00e9rgio Roveri<br data-start=\"1037\" data-end=\"1040\" \/>Cast: Alexandre Ammano, Fernando Vitor, and Let\u00edcia Calvosa<br data-start=\"1098\" data-end=\"1101\" \/>Set design, costumes, and art direction: Ma\u00edra Sciuto and Nat\u00e1lia Burger<br data-start=\"1170\" data-end=\"1173\" \/>Lighting and light technician: Ariel Rodrigues<br data-start=\"1217\" data-end=\"1220\" \/>Physical preparation: Tainara Cerqueira<br data-start=\"1258\" data-end=\"1261\" \/>Voice preparation: Mal\u00fa Lomando<br data-start=\"1292\" data-end=\"1295\" \/>Boxing consultancy and training: Wellinton Souza<br data-start=\"1345\" data-end=\"1348\" \/>Video and projections: Renan Almeida<br data-start=\"1380\" data-end=\"1383\" \/>Musical direction: Bruno Louren\u00e7o<br data-start=\"1414\" data-end=\"1417\" \/>Sound technician: Fernando da Mata<br data-start=\"1449\" data-end=\"1452\" \/>Piano (recording): Lisi Andrade<br data-start=\"1482\" data-end=\"1485\" \/>Vibraphone (recording): Lua Oliveira<br data-start=\"1519\" data-end=\"1522\" \/>Sound design: Lua Oliveira<br data-start=\"1548\" data-end=\"1551\" \/>Graphic designer: Jo\u00e3o Vitor Lage<br data-start=\"1584\" data-end=\"1587\" \/>Press office: Marrom Glac\u00ea Comunica\u00e7\u00e3o<br data-start=\"1635\" data-end=\"1638\" \/>Project management: J\u00e9ssica Rodrigues<br data-start=\"1674\" data-end=\"1677\" \/>Production direction: Nat\u00e1lia Burger<br data-start=\"1712\" data-end=\"1715\" \/>Production assistant: J\u00e9ssica Policastri<br data-start=\"1757\" data-end=\"1760\" \/>Scenic technician: Al\u00edcio Silva \u2013 Casa Malagueta<br data-start=\"1802\" data-end=\"1805\" \/>Stand-in: Thamiris Mand\u00fa<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The play \u201c12th Round: The Story of Emile Griffith\u201d weaves together memory, politics, and dissident affections<\/p>\n","protected":false},"author":3,"featured_media":250871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAoiEBg-BXrJeACjO8p49SE4kTY:productID":"","tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Bisexual boxer\u2019s story as a victim of racism becomes a play in S\u00e3o 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